These heraldic devices appear in the book identified in Oxford University's collection as Bodleian Manuscript 264. The images shown are significantly magnified. A version of the first shield below at roughly its original size (about one and one half centimeters tall) is provided at right for comparison.
Several types of heraldic display are pictured in this work--barding, banners, and messengers' escutcheons being among the most common. I've collected only those shown on shields for this article.
I have striven to blazon these devices as best I might, to make it easier for the user to search for specific elements. If you can identify errors in my efforts, please let me know. As they've aged, the blue and black pigments used in many cases seem to have shifted to a charcoal gray. As a result, I may have mis-identified as "azure" some elements which were, in fact, originally painted as "sable", and vice versa.
I was unable to collect devices from folios 152r, 153r, 154r, 156r, and 179r, as they were "unavailable" at the time of my survey. In addition, there are devices in folios 43v, 54v, 59r, 107r, 117r, 152v, 153v, and 158v that are too degraded, too obscured, or both to be identified. (One of these, from 43v, included charges vert, which are seen in no other devices in the book.)
MS Bod. 264 contains three separate works.
The largest document is a legendary telling of the life of Alexander III of Macedon compiled and illustrated by Jehan de Grise and his workshop in Flanders between 1338 and 1344. It occupies folios 3r through 208r. Alexandre de Paris' Roman d'Alexandre provides most of the text, supplemented by the anonymous Prise de Defur, Voyage d'Alexandre au Paradis terrestre, Voeux du Paon and Restor du Paon and followed by Jean le Névelon's La Venjance Alixandre. All pictured arms are, of course, attributed. (Alexander III lived from 356 to 323 B.C.E., about 800 years before the advent of heraldry.)
As one would expect, certain individuals feature again and again through the text. Consequentially, certain devices appear again and again in the illustrations. To save space and reduce redundancy, I have elected not to include every instance of these here. However, as the depictions of each device vary somewhat, I did not wish to offer only one version of each. Therefore, two or three representative images, chosen among the best-preserved, appear in these instances.
Devices seen in de Grise' romance of Alexander include:
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folio 21v |
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folios 21v, 42v, 43v, 62v, 66v, 68v, 81v, 83v, 84r, 102r, and 108r |
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folio 21v |
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folio 21v |
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folios 21v, 138v, 139v, 142v, 143v, 144r, 147r, and 156v |
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folios 42v, 43v, and 66r This device may, when the manuscript was created, have been associated with Macedonia; it would be by the16th century. |
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folio 42v, 43v, 51v, 56v, 59r, 61r, 62r, 66r, 67r, 67v, 69r, 72v, 75r, 75v, 81v, 82r, 91r, 93r, 101v, 105r, 106r, 107r, 110r, 124r, 138v, 152v, 153v, 156v, 158v, and 193r This is the device attributed to Alexander himself. At the time this manuscript was penned, the lion had as a symbol been associated with him for at least a millenium and a half. |
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folios 43v, 67r, and 72v |
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folio 43v It is possible that the ground here is actually or. |
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folio 43v |
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folios 43v, 50r, and 59r It's possible that one or more of these originally bore charges. Pigments applied over gold have flaked off many of the illustrations in the book to one degree or another. |
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folios 51v, 58r, 59r, 60r, 74r, 75r, and 75v These arms appear to be those attributed to Porus, king of Pauravaa, whom Alexander faced in the battle of the Hydaspes in 326 B.C.E. |
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folios 51v, 66v, 67v, 68v, 75v, 81v, 83v, 84r, 93r, 95v, 101v, 102r, 106r, 107r, 108r, 149v, 152v, 153v, 156v, 158v, and 201r |
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folio 56r This is apparently a variant of Alexander's arms. |
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folios 60r, 78r, 84r, 84v, 85v, 94v, 95r, 95v, 107r, 121r, 130v, 152v,156v, and 201r |
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folio 62r |
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folio 62r |
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folio 69r |
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folio 69v Based on the context, it's possible this is another example of "Or, a lion contourney gules," which is seen in folio 56r |
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folios 74r, 78r, 85v, 86r, 94v, 107r, 113r, and 113v |
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folios 75v, 90v, 91v, 92r, 93r, 121r, and 122v |
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folios 75v, 153v, and 156v |
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folios 75v, 90v, 92r, and 95r |
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folio 75v |
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folios 78r, 114v, 117r, 152v, 156v, and 158r |
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folios 81v, 83v, 149v, and 153v |
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folios 84r and 85v |
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folios 84v, 90v, 95r, 95v, 96r, and 107r |
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folios 84v and 86r |
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folio 84v |
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folio 85v |
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folio 86r |
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folios 88v, 92r, 107r, 113r, 117r, 121r, and 152v |
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folio 88v |
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folio 90v |
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folio 90v |
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folio 92r |
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folio 92r |
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folio 92r |
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folios 93r, 94v, and 101v |
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folio 95r |
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folio 95r |
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folio 100r |
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folio 101v |
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folio 102r |
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folios 113r, 113v, 117v, 119r, 130r, 150r, and 158v |
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folios 113r, 114v, 130r, and 156v |
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folios 113r and 132v |
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folio 113r |
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folios 113v, 117v, and 130r |
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folios 113v and 130r |
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folio 114v It's possible that these were to have been colored in but never were. |
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folios 114v, 117r, and 161r |
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folio 117r |
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folio 119r |
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folio 126r This may just be a shield blank that was never painted in. There are a couple of sketched but unpainted elements elsewhere in the book. |
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folios 129v, 130v, 132v, 133r, 150r, 152v, 153v, and 158r |
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folios 129v, 130v, 139r, 139v, 149v, and 153v |
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folio 132v |
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folios 132v and 133r |
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folios 137v, 139v, and 201r |
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folio 139r |
Much shorter is the tale of Alexander and Dindimus, told in Middle English verse, which occupies folios 1r and 209r through 215v. It was added to the manuscript around 1400, in England, and incorporates only one device:
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folio 1r |
The final work is a tale of Marco Polo's journeys, known as Li Livres du Graunt Caam, illustrated by Johannes and his school. It occupies folios 2v and 218r through 271v, and was also added in England around 1400. No heraldic devices are included.
Coblaith Muimnech holds the copyright to this document, including all illustrations not excerpted from works more than 300 years old. It is made available under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
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